MENU


Asmussen, Svend

Biography

Svend Asmussen (born 28 February 1916 in Copenhagen, Denmark) is a jazz violinist from Denmark, known as "The Fiddling Viking". Asmussen grew up in a musical family, starting violin lessons at age 7. At age 16 he first heard recordings by jazz violin great Joe Venuti and began to emulate his style. He started working professionally as a violinist, vibraphonist, and singer at age 17, leaving his formal training behind for good. Early in his career he worked in Denmark and on cruise ships with artists such as Josephine Baker and Fats Waller. Asmussen later was greatly influenced by Stuff Smith, whom he met in Denmark. Asmussen played with Valdemar Eiberg and Kjeld Bonfils during World War II, during which time jazz had moved to the underground and served as a form of political protest. In the late 1950s, Asmussen formed the trio Swe-Danes with singer Alice Babs and guitarist Ulrik Neumann. The group became very popular in Scandinavia for their music hall style entertainment and also toured the United States. Asmussen also worked with Benny Goodman, Lionel Hampton, and Duke Ellington. Asmussen was invited by Ellington to play on his Jazz Violin Session recording in 1963 with Stéphane Grappelli and Ray Nance.




Recordings

Asmussen, Svend: Svend Asmussen Fit As A Fiddle

This CD is comprised of 3 live sessions in Denmark and Sweden from 1996. Along with Stuff Smith, Svend Asmussen is the most famous jazz violinist of all time. Accompanying Assmussen are three of Denmark’s absolute best, internationally acclaimed musicians, with whom he had been playing with for several years at the time of this recording: Jacob Fischer on guitar, Jesper Lundgaard on bass and Aage Tangaard on drums. The repertoire consists of both swing standards (Duke Ellington’s “The Mooch”), be-bop standards (Dizzy Gillespie’s “Night in Tunisia”), a 19th Century Danish polka and Asmussen originals. 80 years old at the time of these recordings, Asmussen plays with the vigor and creativity of a young musician, even playing his violin through a wah-wah pedal on two numbers. This CD showcases a true professional – both a musician’s musician and a music lover’s musician; it’s a CD that’s full of creativity and irresistible, swinging jazz.