Harry "Sweets" Edison (October 10, 1915 – July 27, 1999), born in Columbus, Ohio, was an American jazz trumpeter and member of the Count Basie Orchestra. He spent his early childhood in Kentucky, where he was introduced to music by an uncle. After moving back to Columbus at the age of 12, the young Edison began playing the trumpet with local bands. In 1933, he became a member of the Jeter-Pillars Orchestra in Cleveland. Afterwards he played with the Mills Blue Rhythm Band and Lucky Millinder. In 1937 he moved to New York and joined the Count Basie Orchestra. His colleagues included Buck Clayton, Lester Young (who named him "Sweets"), Buddy Tate, Freddie Green, Jo Jones, and other original members of that famous band. "Sweets" Edison came to prominence as a soloist with the Basie Band and as an occasional composer/arranger for the band. He also appeared in the 1944 film Jammin' The Blues. Having joined the Basie Band in 1937, Edison spent 13 years with Basie until the band was temporarily disbanded in 1950. Edison thereafter pursued a varied career as leader of his own groups, traveling with Jazz at the Philharmonic and freelancing with other orchestras. In the early 1950s, he settled on the West Coast and became a highly sought-after studio musician, making important contributions to recordings by such artists as Billie Holiday, Frank Sinatra, and Ella Fitzgerald. In 1956 he recorded the first of three albums with tenor great Ben Webster. According to the Encyclopedia of Jazz in the Seventies, Edison in the 1960s and 1970s continued to work in many orchestras on TV shows, including Hollywood Palace and The Leslie Uggams Show, specials with Frank Sinatra; prominently featured on the sound track and in the sound track album of the film, Lady Sings the Blues. From 1973 Edison acted as Musical Director for Redd Foxx on theatre dates, at concerts, and in Las Vegas. For the past two decades he appeared frequently in Europe and Japan until shortly before his death. As the Los Angeles Jazz Institute's (LAJI) first Tribute Honoree, "Sweets" will always have a special place in the hearts of jazz fans. Sweets Edison was twice the Los Angeles Jazz Society's Tribute Honoree - in 1983 and in 1992.
Since1962, Leonardo Pedersen’s Jazzkapel has been Denmark’s tightest, hard-swinging “almost” big band, in the musical tradition of Count Basie, Quincy Jones and Louis Jordan. Thus, they provided perfect backing for the three guest soloists – Harry “Sweets” Edison, Eddie “Lockjaw” Davis and Richard Boone – all alumni of the Count Basie Band. While there is a distinct Kansas City/Count Basie feel to this album, the repertoire also includes some Horace Silver bop classics and Louis Jordan jump-jive favourites. The three guest soloists here are true individual stylists – their sound is immediately identifiable. Thanks to their obvious compatibility with Leonardo Petersen’s Jazzkapel, “Sweets”, “Lockjaw” and Richard Boone play – and sing – with the same brilliance and passion as in their heyday with the Count.