Niels-Henning Ørsted Pedersen, (May 27, 1946 – April 19, 2005) was a Danish jazz double bassist known for his impressive technique and an approach that could be considered an extension of the innovative work of Scott LaFaro. Born in Osted, near Roskilde, on the Danish island of Zealand, Pedersen was known as The Great Dane with the Never-Ending Name, or sometimes simply as NHØP. As a child, Pedersen played piano. As a teenager he started learning to play double-bass and at the age of 14, while studying, he began his professional jazz career in Denmark with his first band, Jazzkvintet 60 (Danish for 'Jazz Quintet 60'). Later on, he was engaged as the regular bassist at Copenhagen's Jazzhus Montmartre. At 17, he had already turned down an offer to join the Count Basie orchestra, mainly because he was too young to get legal permission to live and work as a musician in America. During the 1960s, Pedersen played with several important American jazzmen who were touring or resident in Denmark, including Ben Webster, Bill Evans, Brew Moore, Bud Powell, Count Basie, Roy Eldridge, Dexter Gordon, Dizzy Gillespie, Jackie McLean, Roland Kirk, Sonny Rollins, and vocalist Ella Fitzgerald; he also played with Jean-Luc Ponty. He became the bassist of choice whenever a big-name musician was touring Copenhagen. Pedersen had a great friendship and working relationship with Oscar Peterson. They played together for many years on and off. In 2005, Peterson dedicated his entire tour to Pedersen after he had died. He was awarded Best Bass Player Of The Year by Downbeat Critics' Poll in 1981. Pedersen worked in duo and trio arrangements with pianist Kenny Drew, recording over 50 albums together. He also worked with Stéphane Grappelli and Joe Pass and recorded extensively as a leader. His best known songs are "My Little Anna", "Jaywalkin' ", and "The Puzzle", as well as jazz arrangements of traditional Danish folk songs. He was awarded the Nordic Council Music Prize in 1991. In 1999, he co-led a duo with pianist Mulgrew Miller, touring Europe, Japan, Australia, and Korea. This format was later enlarged into a trio featuring drummer, Alvin Queen. This trio remained intact until his death. Pedersen died of heart failure in 2005 at the age of 58 in Copenhagen, Denmark. He was survived by his wife, Solveig, and his three children.
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Exclusive to Storyville Records, a previously unreleased live concert with jazz stars Niels-Henning Ørsted Pedersen (bass) and Mulgrew Miller (piano) is now finally available for everyone to enjoy. For a short but magnificent time, the two played together, and our revival of their visit to the North Sea Jazz Festival in Holland in 2000 testifies to their musical brightness and beauty.
In 1999-2000, Niels-Henning Ørsted Pedersen was given the chance to make a studio recording on the occasion of Duke Ellington’s 100th birthday. For this duo session, NHØP chose Mulgrew Miller, whom he had heard, but never played with. Both were at the height of their careers, giants in their own right, and with totally different backgrounds. NHØP was born into the Danish folk high-school milieu that promoted freedom of thought and had a prolific song tradition. Growing up as the child of plantation workers in Greenwood, Mississippi, Mulgrew had his roots in gospel music and the racially divided USA of the 1960s. A Duke Ellington connoisseur, he had played with the Ellington Orchestra under direction of Mercer Ellington.
Still, from the moment NHØP and Mulgrew met and played together, the two had an affinity as human beings and musicians. They chose a repertoire based on the historic 1941 Duke Ellington—Jimmy Blanton duets. Mik Neumann, NHØP’s long-time sound engineer, says about their collaboration: “What was special was how their music assimilated the divergent influences of their younger days. Remarkable, too, was the degree of profundity in their interplay – a talent that demands years of experience for a musician to deliver, and possibly also for an audience to understand. At the same time, thanks to their ability to swing, and their inbred musicality, the music was also immediately accessible.” In many ways, piano-and-bass was the ultimate constellation for Niels-Henning and Mulgrew. Here, NHØP had the necessary room to display the same creative brilliance that revolutionized modern contrabass playing.
In 2000, NHØP and Mulgrew Miller embarked on a world tour celebrating Duke Elington’s 100th birthday. Mik Neumann recalls the special connection between the two musicians: “Not once during the tour did they sit down and discuss what they were going to play – it materialized on stage, in the moment.”
Recorded live, all the tracks on this never before released concert remain in the same order as the two masters chose that evening at the North Sea Jazz Festival. They are at the peak of their abilities, combining new version of the Ellington songs they had previously recorded together with jazz standards. Niels-Henning and Mulgrew have sadly passed away, but are remembered as intelligent and insightful musicians on and off stage, but also as unconditionally generous mentors and influences for generations of musicians after themselves.