In 1964 the great Swing era tenor saxophonist Ben Webster, picked up Ol' Betsy, his saxophone, and left the U.S.A to spend the rest of his days in Europe. He played for a month at Ronnie Scott's in London, then moved on, living first in Amsterdam then in Copenhagen. Had America treated him and jazz in general with more respect, would he have stayed? It's possible. Then again, Webster was oftentimes a pugnacious drunk who did not act rationally but on instinct. Not for nothing did his fellow jazzmen call him "The Brute."
He found plenty of work in Europe but not the challenges needed to keep him developing as a musician. Instead, he said, he learned from listening to his own playing on records—"You can always see a spot or two in the record where you could have done better. So you more or less study this way."
Caught in a musical closed circuit, "The Brute" grew contemptuous of European musicians. His drinking increased, his health declined. Sometimes he would show up late for gigs, sometimes he wouldn't show up at all.
The Storyville album features him with the Danish Radio Group during the late sixties and early seventies before the rot set in. One of its members, saxophonist Jesper Thilo knew Webster well and would often visit him at the flat in which he lived alone in Copenhagen. Thilo says: "We'd have a beer or something stronger and talk about music. I think he wanted the same role for himself that Coleman Hawkins had in New York. He wanted to help me with things he knew a lot about, like tone formation. He taught me a lot about embouchure, about how to develop a good sound."
Chris Mosey - All About Jazz